Nicholas Hytner
Drama by David Hare in which Ralph Fiennes stars as the playwright, recounting his experience of contracting Covid-19 on the day lockdown was announced in the UK.
A feuding fairy King and Queen of the forest cross paths with four runaway lovers and a troupe of actors trying to rehearse a play. As their dispute grows, the magical royal couple meddle with mortal lives leading to love triangles, mistaken identities and transformations… with hilarious, but dark consequences.
Caesar returns in triumph to Rome and the people pour out of their homes to celebrate. Alarmed by the autocrat’s popularity, the educated élite conspire to bring him down. After his assassination, civil war erupts on the streets of the capital. Nicholas Hytner’s production will thrust the audience into the street party that greets Caesar’s return, the congress that witnesses his murder, the rally that assembles for his funeral and the chaos that explodes in its wake.
1850, and Europe’s most feared terrorist is hiding in Dean Street, Soho. Broke, restless and horny, the thirty-two-year-old revolutionary is a frothing combination of intellectual brilliance, invective, satiric wit, and child-like emotional illiteracy. Creditors, spies, rival revolutionary factions and prospective seducers of his beautiful wife all circle like vultures. His writing blocked, his marriage dying, his friend Engels in despair at his wasted genius, his only hope is a job on the railway. But there’s still no one in the capital who can show you a better night on the piss than Karl Heinrich Marx.
Acclaimed playwright Tom Stoppard (Shakespeare in Love, Arcadia, Rosencrantz and Guildenstern are Dead) returns to the National Theatre with his highly-anticipated new play The Hard Problem, directed by Nicholas Hytner (Othello, Hamlet, One Man, Two Guvnors). Hilary, a young psychology researcher at a brainscience institute, is nursing a private sorrow and a troubling question at work, where psychology and biology meet. If there is nothing but matter, what is consciousness? This is ‘the hard problem’ which puts Hilary at odds with her colleagues who include her first mentor Spike, her boss Leo and the billionaire founder of the institute, Jerry. Is the day coming when the computer and the fMRI scanner will answer all the questions psychology can ask? Meanwhile Hilary needs a miracle, and she is prepared to pray for one.
The true story of the relationship between Alan Bennett and the singular Miss Shepherd, a woman of uncertain origins who ‘temporarily’ parked her van in Bennett’s London driveway and proceeded to live there for 15 years.
To celebrate its 50th anniversary, the National Theatre of Great Britain presents National Theatre: 50 Years on Stage, bringing together the best British actors for a unique evening of unforgettable performances, broadcast live from London to cinemas around the world.
The National Theatre presents a major new production of William Shakespeare’s celebrated play about the destructive power of jealousy. Othello, newly married to Desdemona – who is half his age – is appointed leader of a major military operation. Iago, passed over for promotion by Othello in favour of the young Cassio, persuades Othello that Cassio and Desdemona are having an affair. Olivier Award-winning actor Adrian Lester (Henry V at the National Theatre, BBC’s Hustle) takes the title role. Playing opposite him as the duplicitous Iago is fellow Olivier Award-winner Rory Kinnear (The Last of the Haussmans, James Bond: Skyfall), who is reunited with director Nicholas Hytner (Timon of Athens, One Man, Two Guvnors) following their acclaimed collaboration on the National Theatre’s recent production of Hamlet.
People spoil things; there are so many of them and the last thing one wants is them traipsing through one’s house. But with the park a jungle and a bath on the billiard table, what is one to do? Dorothy (Frances de la Tour) wonders if an attic sale could be a solution.
How had a twenty-two-year-old pretentious layabout made a discovery that would elude every other cinematic pioneer for years to come? In a remote village in Eastern Europe, around 1900, the young Motl Mendl is entranced by the flickering silent images on his father's cinematograph. Bankrolled by Jacob, the ebullient local timber merchant, and inspired by Anna, the girl sent to help him make moving pictures of their village, he stumbles on a revolutionary way of story-telling. Forty years on, Motl - now a famed American film director - looks back on his early life and confronts the cost of fulfilling his dreams. I know it was in the picture. I made the picture and now the cow's getting paid and I'm not! Following Vincent in Brixton and The Reporter, Nicholas Wright's new play is a funny and fascinating tribute to the Eastern European immigrants who became major players in Hollywood's golden age.
Fired from his skiffle band, Francis Henshall becomes minder to Roscoe Crabbe, a small time East End hood, now in Brighton to collect £6,000 from his fiancée’s dad. But Roscoe is really his sister Rachel posing as her own dead brother, who’s been killed by her boyfriend Stanley Stubbers. Holed up at The Cricketers’ Arms, the permanently ravenous Francis spots the chance of an extra meal ticket and takes a second job with one Stanley Stubbers, who is hiding from the police and waiting to be re-united with Rachel. To prevent discovery, Francis must keep his two guvnors apart. Simple.
National Theatre Live’s 2010 broadcast of Hamlet returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Following his celebrated performances at the National Theatre in Burnt by the Sun, The Revenger's Tragedy, Philistines and The Man of Mode, Rory Kinnear plays Hamlet in a dynamic new production of Shakespeare’s complex and profound play about the human condition, directed by Nicholas Hytner. He is joined by Clare Higgins (Gertrude), Patrick Malahide (Claudius), David Calder (Polonius), James Laurenson (Ghost/Player King) and Ruth Negga (Ophelia).
Family jealousy, threat of rebellion, political back-stabbing and the Inquisition weigh heavy on the court of King Phillip II. The tension finally ignites at the King's coronation, where a number of heretics are to be burnt at the stake.
Rolando Villazón Triumphantly Returns To The Stage As Don Carlo In The 2007/2008 Royal Opera House'S Producton Of Don Carlo. National Theatre director Nicholas Hytner's new staging of Verdi's grandest-- and arguably greatest -- opera, Don Carlo, was the highlight of the 2007/2008 Royal Opera House season. This new production marked Rolando Villazón's much anticipated and triumphant return. Set amidst the political, religious and sexual intrigue of the 16th century Spanish court, this epic work tells the tragic story of Don Carlo, a virtuous young prince who is pitted against the powers of a dominant, corrupt society. First staged at The Royal Opera House in 1886, this new production is the first new version of the 5-Act complete opera to be staged at Covent Garden in 50 years. With sets and costumes by Bob Crowley, direction by Nicholas Hytner, and an enviable cast, this production of Don Carlo is worthy of the greatness of Verdi's original, masterful work.
The story of an unruly class of bright, funny history students at a Yorkshire grammar school in pursuit of an undergraduate place at Oxford or Cambridge. Bounced between their maverick English master, a young and shrewd teacher hired to up their test scores, a grossly out-numbered history teacher, and a headmaster obsessed with results, the boys attempt to pass.
Mozart's genius in setting to music da Ponte's comic play of love, infidelity and forgiveness marks COSI FAN TUTTE as one of the great works of art from the Age of Enlightenment. Nicholas Hytner's beautiful new production, with its sure touch and theatrical know-how, lives up to its promise to be "shockingly traditional" as Iván Fischer teases artful performances from an outstanding international cast of convincing young lovers.
A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.
A pregnant New York social worker begins to develop romantic feelings for her gay best friend, and decides she'd rather raise her child with him, much to the dismay of her overbearing boyfriend.
Ah, summer! School is out, work slows down and passions heat up in the warm summer air. Theatrically speaking, it's the perfect time for a sexy comedy where no one is what, or who, they seem and life is full of romantic possibilities. In other words, the perfect time for William Shakespeare's TWELFTH NIGHT, or 'What You Will—’ which Lincoln Center Theater presented in the summer of 1998 at the Vivian Beaumont Theater.
Based upon the play "The Crucible" by Arthur Miller (who wrote the screen adaptation), the Salem witch trials in 1692 plunge the Massachusetts Bay colony into chaos.
King George III's erratic behaviour leads to a plot in Parliament to have him declared insane and removed from the throne.
Mozart's La Clemenza Di Tito was originally commissioned to celebrate the coronation of the Emperor Leopold II as King of Bohemia in 1791. This rarely-seen masterpiece was Mozart's last opera. Nicholas Hytner's elegant staging for the Glyndebourne Festival Opera sheds new light on the compelling story of passion that overrides loyalty and integrity that is tested to the extreme.
A behind-the-scenes look at the putting on of the successful West End stage musical, including footage of the cast rehearsing and the triumphant first night.
Set in a geriatric ward within a small hospital, when news of its closure begins to reach the community, the hospital invites a local news crew to document their planning of a concert in honor of the hospital's most celebrated nurse. But there might be something more threatening to the hospital itself, more deadly than the politicians ready to shut down the place at a moment's notice.
Ralph Fiennes is joined in dress rehearsals as he discusses his involvement in and the themes relating to David Hare’s brand-new play Straight Line Crazy.
